Gorillaz were, from the very beginning, as much conceptual art as they were a musical group. A collaboration between Albarn and visual artist Jamie Hewlett, the project was conceived as a “virtual band” that could comment on the empty and manufactured nature of popular culture. They quickly expanded into videos, books, and games which detailed a complex and surreal mythology and engaged with a variety of social and political issues. But Plastic Beach took this to a new level.
Damon Albarn's encounter with plastic pollution at Hallsands Beach inspired the album's meditations on the Anthropocene – an epoch marked by significant human impact on Earth's geology and ecosystems. The book positions Plastic Beach as a concept album that reflects on the Anthropocene, combining commentary on environmental degradation and consumer culture with attempts to imagine a future beyond the rapacity and destructiveness of this era.
Gorillaz' Plastic Beach
Ihor Junyk
Delves into the album's intricate blend of art and environmental commentary, looking at its role as a pioneering concept album in the Cli-Fi genre, and highlights the intertwined relationship between music, culture, and the climate crisis.Rights Sold
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Book Details
Imprint: Bloomsbury Academic
Publication Date: 12-11-2026
Format: Paperback | 4 3/4 x 6 1/2 | 152 pagesAbout the Author
Ihor Junyk is Professor of Cultural Studies and English literature at Trent University in Canada. He is the author of Foreign Modernism: Cosmopolitanism, Identity, and Style in Paris (2013).
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