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CRASH!

CRASH! explores the fascinating, revealing, and surprising cultural impact of plane crashes across art, literature, music, media, and creative nonfiction.

 

Plane crashes are covered extensively but they are not analyzed very deeply, beyond rote media reports and forensic accident investigations. This is despite the voluminous, diverse, and fascinating cultural materials — poems and novels, songs, films, art, TV series, and on and on — that emerge in the wake of aviation disasters. Randy Malamud reanimates these tragic events and identifies how they persist and resonate through our culture—more than we might have imagined, and in intricately far-reaching ways.

 

A unique and extraordinarily wide-ranging cultural examination, CRASH! takes the reader on a journey that includes reflections on flight phobia, themes of crash survival (with asides on Lord of the Flies, The Little Prince, and Ernest Hemingway’s two-day two-crash adventure), the existentialism of pilots’ last words, the day the music died, deep dives into modernist plane wreck paintings, kamikaze pilots and their Zen death poems, plane crashes before planes, ‘race, crash, and gender,’ and the cultural aftermath of 9/11.

 

Ultimately, Malamud shows that crashes do not bring about complete and total destruction: we accomplish some degree of restoration by shoring fragments against the ruins. The plane is dead; long live the plane.

CRASH!

  • Randy Malamud

    Leading cultural studies critic Randy Malamud explores the fascinating, revealing, and surprising cultural impact of plane crashes across art, literature, music, media, and creative nonfiction.
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    Chinese Simplified rights represented by Andrew Nurnberg Associates, Beijing

  • Book Details

    Imprint: Bloomsbury Academic
    Publication Date: 12-12-2024
    Format: Paperback | 6 x 9 | 384pages

  • About the Author

    Randy Malamud is Regents’ Professor of English at Georgia State University, USA. He is the author of 12 books, including the influential Reading Zoos: Representations of Animals and Captivity (1998), The Importance of Elsewhere: The Globalist Humanist Tourist (2018), and Strange Bright Blooms: A History of Cut Flowers (2021). He writes about film, travel, ecocriticism, and culture for the Chronicle of Higher Education, Times Higher Education, Film Quarterly, Senses of Cinema, Film International, Common Knowledge, Salon, Huffington Post, The Conversation, and Truthout. He has been interviewed about his books on NPR, BBC, CNN, and numerous podcasts. He is a Fellow of the Oxford Centre for Animal Ethics.

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